Meghan is a freelance curator, educator and writer, with a focus on sculpture, disability justice, and feminist practice. She works on projects supporting artists and arts organisations with artist development, socially engaged projects, and alternative arts education.

Previously, she was Head of Artist Development at Freelands Foundation, leading on the strategic development and delivery of UK-wide programming and partnerships, including residency, fellowship and artist development projects. Prior to this she was Engagement Curator at Yorkshire Sculpture International (a partnership of Henry Moore Institute, Leeds Art Gallery, The Hepworth Wakefield, Yorkshire Sculpture Park), curating one of the festival’s major public realm commissions, the Associate Artist Programme, the Sculpture Network, and programming talks, workshops and projects bringing together artists with universities, schools, and communities across West Yorkshire.

She has delivered freelance projects with Harewood House, Invisible Dust, and New Painters, Modern Decorators. She has written commissioned texts for artists Bijan Amini-Alavijeh, Victoria Lucas, and Lucie Kordacova; advised artist-led projects such as Decoda (a project by artists Ro Robertson and SHARP) in Cornwall, and Threshold, a sculpture project by artist Julia McKinlay in Leeds. She is on the Steering Group of CVAN East Midlands.

She holds a BA and MA in the History of Art from The Courtauld Institute of Art, specialising in 20th century art in Britain. Her MA dissertation on maternity in the sculpture of Betty Rea won the Henry Moore Foundation Prize.